Florence Historical Landmarks

Florence is the birthplace of the Renaissance, and almost every building in its old centre changed European art and thought. The cathedral's dome taught engineers how to build without scaffolding, the Baptistery's bronze doors taught artists how to cast paradise, and the workshops along the Ponte Vecchio taught the world how to trade.

1. Florence Cathedral

Year 14th Century
Style Gothic
Architect Arnolfo di Cambio / Filippo Brunelleschi
Height N/A
Florence Cathedral in Florence - A vast cathedral with a polychrome marble facade of white, green and pink, crowned by...

Photo: Gary Campbell-Hall / CC BY 2.0

What Your Eye Sees

A vast cathedral with a polychrome marble facade of white, green and pink, crowned by Brunelleschi's great red-tiled dome - the largest masonry dome ever built - rising above the red rooftops of Florence.

Context

Florence's cathedral was begun in 1296 under the architect Arnolfo di Cambio, though its present facade dates from the 19th century. Its most famous feature, the dome, was completed between 1420 and 1436 by Filippo Brunelleschi, who invented new hoisting machinery and building methods for it. At its consecration in 1436 the church was the largest in Christendom.

On Screen

Florence's Duomo appears in the film Inferno (2016).

Source: UNESCO (Historic Centre of Florence); Wikipedia (Florence Cathedral); Wikipedia (Florence Cathedral); Inferno (2016) production notes

Did You Know

Brunelleschi raised the dome without a wooden centering framework - a feat contemporaries considered impossible - using a double shell and a herringbone brick pattern that locked each course into place.

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A Marble Disc Marks A Crash Site

Set into the paving on the north side of the square is a circular marble disc. It marks the spot where the gilt bronze ball from the top of the dome crashed to earth in 1600 after being struck by lightning.

A Portal Framed By An Almond

Look at the north door, the Porta della Mandorla, framed by a great carved almond shape, the mandorla, in which the Virgin Mary rises toward heaven, carved between 1391 and 1421 with Nanni di Banco and Donatello.

Sources: Wikipedia; A View on Cities

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2. Giotto's Campanile

Year 14th Century
Style Gothic
Architect Giotto
Height N/A
Giotto's Campanile in Florence - A slender square bell tower rising 84.7 metres beside the cathedral, clad in bands of...

Photo: Thermos / CC BY-SA 2.5

What Your Eye Sees

A slender square bell tower rising 84.7 metres beside the cathedral, clad in bands of white, green and pink marble and decorated with carved lozenges and hexagonal panels.

Context

Giotto was appointed to build the tower in 1334 and designed its marble casing, but he died in 1337 with only the lower storey complete. Andrea Pisano and then Francesco Talenti carried the work on, and the tower was finished around 1359 with its characteristic lozenge and hexagonal panels.

On Screen

Giotto's Campanile appears in the film Inferno (2016).

Source: UNESCO (Historic Centre of Florence); Wikipedia (Giotto's Campanile); Wikipedia (Giotto's Campanile); Inferno (2016) production notes

Did You Know

Giotto’s original plan called for a tower crowned by a tall spire and considerably taller than the one built, but the project was reduced after his death in 1337, and the soaring spire he imagined was quietly never added.

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Copies Where Originals Once Stood

The hexagonal relief panels around the lower storey are not the originals: most were removed between 1965 and 1967 to protect them from pollution and now live in the Museo dell'Opera del Duomo, with copies in their place.

Mosaics Set In Blue

Look at the second storey, where diamond-shaped panels against a background of blue glazed majolica depict the planets and the virtues, a vivid blue against the white, green and pink marble.

Sources: Wikipedia

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3. Baptistery of San Giovanni

Year 11th Century
Style Romanesque
Architect N/A
Height N/A
Baptistery of San Giovanni in Florence - An octagonal marble building with a green-and-white striped exterior and a...

Photo: Bradley Weber / CC BY 2.0

What Your Eye Sees

An octagonal marble building with a green-and-white striped exterior and a flat pyramidal roof, standing between the cathedral and its tower, with three great bronze doors.

Context

The Baptistery is one of Florence's oldest buildings, consecrated in 1059 and rebuilt over a Roman foundation. For centuries every Florentine was baptised here - Dante among them, in 1266. Its three sets of bronze doors are among the great works of the early Renaissance, with the east doors by Lorenzo Ghiberti.

On Screen

The Baptistery of San Giovanni appears in the film Inferno (2016).

Source: UNESCO (Historic Centre of Florence); Wikipedia (Florence Baptistery); Wikipedia (Baptistery of San Giovanni); Inferno (2016) production notes

Did You Know

The famous "Gates of Paradise" are not the ones on the building: the original panels by Ghiberti were moved to the Museo dell'Opera del Duomo in the 1990s, and the doors now facing the cathedral are copies.

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A Zodiac Traced In The Floor

Set into the marble floor is a circle bearing the signs of the zodiac, laid out as a horizontal sundial: on a clear day the sun, passing through the oculus in the dome, marks the time as it moves across the zodiac.

Pillars Reused From Rome

Inside, the columns that carry the galleries are spolia - green "Saracen" marble shafts cut down from ancient Roman buildings, their reused capitals a visible link to the city's Roman past.

A Huge Christ In Mosaic

Look up into the dome for the Last Judgement mosaic's enormous Christ, possibly by Coppo di Marcovaldo, with the saved on one side and the damned on the other.

Sources: Wikipedia

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4. Palazzo Vecchio

Year 14th Century
Style Medieval
Architect Arnolfo di Cambio
Height N/A
Palazzo Vecchio in Florence - A fortress-like palace with a projecting clock tower and crenellated roofline, its...

Photo: Francesco Bini / CC BY-SA 4.0

What Your Eye Sees

A fortress-like palace with a projecting clock tower and crenellated roofline, its rusticated stone facade dominating the Piazza della Signoria.

Context

The palace was begun in 1299, traditionally attributed to Arnolfo di Cambio, as the seat of the city’s government. Its crenellated tower, the Torre d’Arnolfo, rises about 94 metres and still dominates the piazza. It became the residence of the Medici dukes in the 16th century and later the seat of Italy’s parliament, and it remains Florence’s town hall today.

On Screen

Palazzo Vecchio appears in the film Inferno (2016) and the series Hannibal (2013).

Source: UNESCO (Historic Centre of Florence); Wikipedia (Palazzo Vecchio); Wikipedia (Palazzo Vecchio); Inferno (2016) production notes; Hannibal (TV) production notes

Did You Know

The statue of David before the main door is a copy - the famous original stood in the open air here for nearly four centuries until, in 1873, it was moved indoors to the Accademia to protect it from the weather.

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A Face Carved Where None Should Be

Look high on the wall above the entrance for a mysterious carved face that gazes out, long attributed by legend to Michelangelo, said to have added the prank face while the palace was being built.

The Letters That Spell Christ

Look above the main portal for the gilded monogram 'YHS', a Latin abbreviation of the name of Jesus, set into the facade, a reminder of the palace's role as the centre of the Republic of Florence.

Sources: Smithsonian Magazine; Wikipedia

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5. Ponte Vecchio

Year 14th Century
Style Medieval
Architect Taddeo Gaddi
Height N/A
Ponte Vecchio in Florence - A low, three-arched stone bridge lined on both sides with rows of shops and topped on its...

Photo: Ingo Mehling / CC BY-SA 4.0

What Your Eye Sees

A low, three-arched stone bridge lined on both sides with rows of shops and topped on its eastern side by a covered two-storey gallery - the Vasari Corridor.

Context

A bridge has stood here since Roman times; the present one, built in 1345, was the only Florentine bridge over the Arno to survive the Second World War. In 1944 the retreating Germans, on Hitler’s orders, blew up the other Arno bridges but spared this one, blocking it instead by destroying the approaches. In 1442 the city ordered the butchers to move here, and in 1593 the goldsmiths and jewellers who still occupy the shops replaced them.

On Screen

The Ponte Vecchio appears in the film Inferno (2016).

Source: UNESCO (Historic Centre of Florence); Wikipedia (Ponte Vecchio); Wikipedia (Ponte Vecchio); Inferno (2016) production notes

Did You Know

The enclosed gallery above the shops is the Vasari Corridor, built in 1565 in just five months so that the Medici could cross the river from the Palazzo Vecchio to the Pitti Palace without ever stepping into the street.

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Shops That Hang Over The Water

On the river side, the backs of the shops are propped on stone brackets - sporti - that jut out over the water, their timber beams a visible holdover from the bridge's medieval structure.

A Bust Of The Master Goldsmith

At the centre of the bridge, above the shops, a bronze bust of Benvenuto Cellini - the greatest of the Florentine goldsmiths - looks out over the spot where his workshop once stood.

Sources: Wikipedia

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6. Basilica of Santa Croce

Year 13th Century
Style Gothic
Architect Arnolfo di Cambio
Height N/A
Basilica of Santa Croce in Florence - A vast Franciscan church whose 19th-century marble facade of white, green and...

Photo: Rhododendrites / CC BY-SA 4.0

What Your Eye Sees

A vast Franciscan church whose 19th-century marble facade of white, green and pink is crowned by a large Star of David, standing in the square of the same name.

Context

The church was begun in 1294, traditionally attributed to Arnolfo di Cambio, and is the largest Franciscan church in the world. It contains the tombs and monuments of many of the greatest Florentines - Michelangelo, Galileo and Machiavelli among them - which is why it is called the "Temple of the Italian Glories".

Source: UNESCO (Historic Centre of Florence); Wikipedia (Basilica of Santa Croce, Florence)

Did You Know

The Star of David that crowns the facade is there because the architect Niccolò Matas, who designed the 19th-century facade, was Jewish - and when he died he could not be buried inside the consecrated church, so he was laid to rest beneath its portico instead.

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Marks Left By The River

Look at the wall to the left of the entrance for three marble plaques marking the levels reached by the River Arno in its great floods of 1557, 1844 and 1966, the last rising several metres inside the church.

A Lunette Above The Door

Above the central portal, a carved lunette by Giovanni Dupré shows the Triumph of the Cross with the Virgin Mary and John the Evangelist, set against the marble of the 19th-century facade.

Sources: Wikipedia

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7. San Miniato al Monte

Year 11th Century
Style Romanesque
Architect N/A
Height N/A
San Miniato al Monte in Florence - A Romanesque basilica on a hilltop south of the Arno, its white-and-green marble...

Photo: Benjamín Núñez González / CC BY-SA 4.0

What Your Eye Sees

A Romanesque basilica on a hilltop south of the Arno, its white-and-green marble facade topped by a gilded mosaic and an eagle above a sack of wool.

Context

The church was begun in 1018 over the tomb of Saint Minias and largely finished in the early 13th century. Tradition holds that Minias was an Armenian prince martyred in Florence around AD 250, and its green-and-white marble facade is a masterpiece of Tuscan Romanesque. From the 13th century it was placed in the care of the Calimala - the guild of wool merchants - whose emblem of an eagle on a bale of wool adorns the facade.

Source: UNESCO (Historic Centre of Florence); Wikipedia (San Miniato al Monte)

Did You Know

During the siege of Florence in 1530, Michelangelo used the church and its bell tower as an artillery post - and packed the tower with mattresses to cushion it against cannon fire.

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A Zodiac Worked In Stone

Look at the nave floor for a large inlaid zodiac dated 1207, a marble astrological circle almost unique among the churches of Florence.

A Mosaic Against The Sun

Look at the gable of the facade for a gold-ground mosaic of Christ blessing, flanked by the Virgin and Saint Minias, shimmering above the plain of Florence.

Sources: A View on Cities; Wikipedia

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8. Badia Fiorentina

Year 10th Century
Style Gothic
Architect Arnolfo di Cambio
Height N/A
Badia Fiorentina in Florence - A quiet church squeezed between buildings on a narrow street, whose hexagonal bell tower...

Photo: Sailko / CC BY-SA 3.0

What Your Eye Sees

A quiet church squeezed between buildings on a narrow street, whose hexagonal bell tower - one of the oddest in Florence - rises above the rooftops.

Context

The Badia Fiorentina was founded in 978 by Willa, mother of the Margrave Ugo, and is one of Florence’s oldest religious houses. Ugo, called the “Great Baron”, is remembered in Dante’s Paradiso, and the church was rebuilt in Gothic form by Arnolfo di Cambio from 1285. Its Romanesque campanile, begun in the early 14th century, rises about 70 metres - among the tallest in the city.

On Screen

The Badia Fiorentina appears in the film Inferno (2016).

Source: UNESCO (Historic Centre of Florence); Wikipedia (Badia Fiorentina); Wikipedia (Badia Fiorentina); Inferno (2016) production notes

Did You Know

Dante is said to have first laid eyes on Beatrice - the great love of the Divine Comedy - in this church, and Boccaccio later gave his public lectures on the Divine Comedy here in 1373.

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Windows Walled Up For A Street

Look at the Via del Proconsolo side, where the tall blind arches of the Gothic windows are still visible, filled in to strengthen the walls.

A Tower With Six Sides

The campanile is a rare hexagonal bell tower built around a round tower of the 10th century - an unusual six-sided form that makes it stand out from every roof in the neighbourhood.

Sources: Wikipedia

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9. Palazzo Medici Riccardi

Year 15th Century
Style Renaissance
Architect Michelozzo
Height N/A
Palazzo Medici Riccardi in Florence - A three-storey stone palace whose rusticated walls grow smoother from floor to...

Photo: Yair Haklai / CC BY-SA 3.0

What Your Eye Sees

A three-storey stone palace whose rusticated walls grow smoother from floor to floor, topped by a bold projecting cornice, on a street corner in the heart of Florence.

Context

The palace was built between 1444 and 1460 for Cosimo de’ Medici to designs by Michelozzo, and it set the pattern for every great Florentine palace that followed. Its most celebrated interior is the private chapel decorated by Benozzo Gozzoli with a fresco of the journey of the Magi, painted from 1459 and hiding portraits of the Medici themselves - including a young Lorenzo - within the glittering procession.

The same architect, Michelozzo, was summoned to the Adriatic to rebuild Minčeta Tower in Dubrovnik after the fall of Constantinople.

Source: UNESCO (Historic Centre of Florence); Wikipedia (Palazzo Medici Riccardi)

Did You Know

The two upper rows of windows with their curved “kneeling” sills were added around 1517 and have long been attributed to Michelangelo - a rare example of his work in domestic architecture.

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Masonry That Rises To The Occasion

The three storeys are built in graduated rustication: rough, heavy blocks at street level, flatter stone on the first floor and smooth ashlar above - a visible symbol of the Medici rise from trade to dynasty.

Arms And An Iron Ring

On the corner of the building the Medici coat of arms is carved in the stone, and beside the entrance iron torch-holders and rings for horses still hang from the wall.

Sources: Wikipedia

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10. Palazzo Davanzati

Year 14th Century
Style Medieval
Architect N/A
Height N/A
Palazzo Davanzati in Florence - A four-storey medieval tower-house of dark stone, its facade pierced by rows of pointed...

Photo: sailko / CC BY 2.5

What Your Eye Sees

A four-storey medieval tower-house of dark stone, its facade pierced by rows of pointed windows with carved corbels, standing on a narrow street in the old city.

Context

Palazzo Davanzati was built in the mid-14th century for the Davizzi, a family of wool merchants, and passed to the Davanzati in 1578. The best-preserved medieval Florentine townhouse, it was saved from demolition in the early 1900s and acquired by the Italian state in 1951, becoming the Museum of the Old Florentine House.

Source: UNESCO (Historic Centre of Florence); Wikipedia (Palazzo Davanzati)

Did You Know

The palace's most famous treasure is the Guicciardini Quilt, a rare embroidered work showing scenes of the love story of Tristan and Isolde, made in Sicily in the late 1300s and bought by the museum in the 20th century.

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A Capital With A Difference

Look in the courtyard for one column whose capital is carved with small human heads, unlike the leafy capitals of the others, a detail often read as a portrait of the Davizzi family.

Three Arches For Merchants

Look at street level, where the palace opens in three wide segmental arches, the shops and workrooms of the ground floor that once belonged to the wool trade.

Sources: Museums of Florence

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11. Museo Nazionale del Bargello

Year 13th Century
Style Medieval
Architect Lapo Tedesco
Height N/A
Museo Nazionale del Bargello in Florence - A fortress-like stone palace with a crenellated roofline and a tall...

Photo: MenkinAlRire / CC BY-SA 4.0

What Your Eye Sees

A fortress-like stone palace with a crenellated roofline and a tall battlemented tower, its rugged walls pierced by rows of arched windows, standing on the Piazza del Bargello.

Context

Built in 1255 as the residence of the Capitano del Popolo and later the seat of the Podestà, the building became the office of the chief of police - the bargello - in 1574 and served as a prison until 1859. It opened as Italy's first national museum in 1865, and its courtyard and halls now hold what is often called the world's greatest collection of Renaissance sculpture.

Source: UNESCO (Historic Centre of Florence); Wikipedia (Bargello)

Did You Know

Both trial panels from the famous 1401 competition for the Baptistery's bronze doors are displayed here side by side - Ghiberti's winning entry and the losing panel by Brunelleschi - making it possible to compare the two great rivals' work directly.

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A Third Storey In Smaller Stone

Look at the top storey, rebuilt after the 1323 fire with noticeably smaller stone blocks than the floors below, a visible change in the masonry as the building rises above the first two storeys.

A Well In The Courtyard

Look in the centre of the courtyard for the open well, built between 1280 and 1285 and ringed by columns, crowned with a stone balustrade, the oldest feature still in place.

Dante In The Prison Chapel

In the ground-floor Maddalena Chapel, the former prison chapel, a fresco cycle from the school of Giotto includes one of the earliest portraits of Dante, who was banished from Florence in 1302.

Sources: Wikipedia

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12. Orsanmichele

Year 14th Century
Style Gothic
Architect Francesco Talenti
Height N/A
Orsanmichele in Florence - A square stone building on a busy street corner, its upper storeys ringed by deep Gothic...

Photo: user:Sailko / CC BY 3.0

What Your Eye Sees

A square stone building on a busy street corner, its upper storeys ringed by deep Gothic niches holding statues of saints, its ground floor a walled loggia of traceried windows.

Context

Orsanmichele was built in 1290 as a loggia for the city's grain market and, after a fire in 1304, rebuilt as a church between 1336 and 1404. From 1339 the guilds of Florence commissioned statues of their patron saints for the exterior niches - a competition that produced some of the first great works of Renaissance sculpture.

Source: UNESCO (Historic Centre of Florence); Wikipedia (Orsanmichele)

Did You Know

For centuries this building was also Florence's emergency granary: grain was stored in the upper floors and, in times of famine, distributed free to the poor from the loggia below - a church that doubled as the city's food store.

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Copies Where Originals Once Stood

Look at the exterior niches, the saints are all copies; the originals by Donatello, Ghiberti, Nanni di Banco and others were moved to a museum on the building's upper floor, opened in 2006.

Walled-Up Market Arches

The tall pointed windows of the ground floor were set into the arches of the original grain-market loggia when it was enclosed in the 14th century - traces of the old open arcade are still legible.

A Shrine Of Gilded Mosaic

Look inside for the marble tabernacle carved by Andrea Orcagna between 1352 and 1359, enclosing Bernardo Daddi's Madonna and Child in a canopy inlaid with gilded mosaic.

Sources: Wikipedia

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13. Basilica of Santa Maria Novella

Year 13th Century
Style Gothic
Architect Leon Battista Alberti
Height N/A
Basilica of Santa Maria Novella in Florence - A vast basilica whose white-and-green marble facade is crowned by curling...

Photo: Armin Kleiner / CC BY-SA 4.0

What Your Eye Sees

A vast basilica whose white-and-green marble facade is crowned by curling scrolls and a triangular pediment, standing across the square from the city's main railway station.

Context

The Dominicans began the church in 1279 and completed it around 1360; the lower facade is 14th-century Gothic, while the upper storey, with its famous scrolls, was added by Leon Battista Alberti in 1470. Inside, Masaccio's Holy Trinity is one of the first paintings to use correct linear perspective, and the church holds frescoes by Ghirlandaio, the Strozzi Chapel by Filippino Lippi, and Giotto's great crucifix.

Source: UNESCO (Historic Centre of Florence); Wikipedia (Santa Maria Novella)

Did You Know

In 1572 the Dominican mathematician Ignazio Danti set an armillary sphere and a sundial into the church and used them to fix the exact date of Easter - measurements that helped bring about the Gregorian calendar reform of 1582.

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Alberti's Curling Scrolls

The great S-shaped volutes of the upper facade, added in 1470, were Alberti's solution for joining the wide lower storey to the narrow upper one - a pattern copied on churches across Europe.

The Pulpit That Shook Galileo

Look inside for the marble Rucellai pulpit, where in 1613 the friar Tommaso Caccini preached a sermon denouncing Galileo's Copernican ideas, the event that opened the Galileo controversy.

Sources: Wikipedia

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14. Basilica of Santo Spirito

Year 15th Century
Style Renaissance
Architect Filippo Brunelleschi
Height N/A
Basilica of Santo Spirito in Florence - A vast brick-and-stone basilica whose plain, unfinished facade - never...

Photo: Lucarelli / CC BY-SA 3.0

What Your Eye Sees

A vast brick-and-stone basilica whose plain, unfinished facade - never completed - opens onto a broad square in the Oltrarno, while inside a forest of identical columns carries Brunelleschi's serene arches.

Context

Brunelleschi designed the church around 1428, construction began in 1444 and it was consecrated in 1481. The facade he planned was never built, leaving the bare wall that faces the square. Inside, the harmonious grid of identical columns and semicircular chapels is considered the purest expression of Brunelleschi's Renaissance ideal of proportion.

Source: UNESCO (Historic Centre of Florence); Wikipedia (Santo Spirito, Florence)

Did You Know

As a teenager Michelangelo was allowed to dissect corpses from the convent's hospital here to study anatomy, and carved a wooden crucifix in thanks - the Crucifix of Santo Spirito still hangs in the octagonal sacristy of the church.

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A Facade That Was Never Built

Look at the plain west wall, Brunelleschi's design called for a facade that was never executed, so the church has stood without a finished front for over five centuries, one of the few great Renaissance buildings with no completed front.

One Module, Repeated

Look at the interior, which repeats a single module, a column, an arch, a chapel, along the whole length of the church, so the building reads as one calm, repeating rhythm.

Sources: Wikipedia

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15. Brancacci Chapel

Year 15th Century
Style Renaissance
Patron Felice Brancacci
Height N/A
Brancacci Chapel in Florence - A small chapel at the end of the transept of Santa Maria del Carmine, its walls covered...

Photo: Masaccio / Public domain

What Your Eye Sees

A small chapel at the end of the transept of Santa Maria del Carmine, its walls covered with frescoes of the lives of Saint Peter, most famously the expulsion of Adam and Eve from Eden.

Context

The chapel was commissioned around 1422 by Felice Brancacci. Masolino began the frescoes in 1425, and his young collaborator Masaccio - just 21 - painted the scenes that changed European painting before dying in Rome at 27. The cycle was completed by Filippino Lippi in the 1480s and became the school where generations of artists, including Michelangelo, learned to paint.

Source: UNESCO (Historic Centre of Florence); Wikipedia (Brancacci Chapel)

Did You Know

Michelangelo's nose was broken in this chapel: as a young apprentice he was punched by a jealous rival, Pietro Torrigiano, who later featured that he had "crushed his nose like a biscuit".

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Faces From Two Hands

Look at the frescoes: half are by Masaccio, completed by Filippino Lippi nearly sixty years later; the two artists' styles are visible side by side, especially in the Raising of Theophilus.

A Portrait In The Crowd

In the Raising of the Son of Theophilus, Masaccio painted his own face among the onlookers; in the scene of the Disputation with Simon Magus, Filippino later added his own self-portrait and the face of his friend and teacher Sandro Botticelli.

Sources: Wikipedia

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